Business
Does Paper Weight Really Matter?
One of the more perplexing questions to answer in preparing a book for production is what paper to use. Here I walk through the numbers, and explain my recommendations.
March 2, 2022
I believe the world is better when we share ideas. I never stop learning, growing, or seeking new inspiration, and I take joy in sharing my knowledge with others.
I invite you to join me as I delve into technical topics, design considerations, industry trends, recommended resources, and other arcane subjects. I also share my artistic explorations in printmaking, photography, book arts, collage, and other fascinating endeavors.
One of the more perplexing questions to answer in preparing a book for production is what paper to use. Here I walk through the numbers, and explain my recommendations.
For the curious among you … An interview with Paul Nylander about life, curiosity, how quantum chromodynamics is tied into design, and other other crazy ideas.
The hallmark of good book typography is an even “color,” or broad tonality, across the page. Here is a before and after example of book typesetting.
Did you know there is more than one type of perfect binding glue? And that you should care which is used?
Understanding the limitations to font licenses can save headaches down the road, for publishers and designers alike.
What color black do you want? Understanding rich blacks in a real world comparison.
While they may seem to serve similar functions, the design of a website it completely different than the design of a book.
When used properly, digital commenting tools are faster, more traceable, and more accurate . . . if somewhat less flexible than their handwritten brethren.
Using an analog printing press—and all its cumbersome limitations—can be a refreshing break from the digital world. Little letterpress projects always bring a smile.
A look at the photography which became the photogravure, the gallery video that became a fine press book—Paul Nylander’s “Isolation.”
A look at the “Midnight Farmhouse” photogravure print as a consideration of the question, ”What is a photograph these days?”
This old farm windmill, long since dismantled, served as an anchor for my budding photography explorations.
